Eric Moody

EXHIBITIONS AND RELATED PROJECTS.

Solo Exhibitions.

1972 University of Cambridge, Gonville and Cauis College.
1976, “Aspects”, University of Kent, Gulbenkian Gallery and Library, Canterbury.
1977, “Packages, Surfaces and Sources”, Greenwich Theatre Gallery, London.
1979, “Eric Moody Drawings”,Centre for Arts Gallery, City University,London.
1984, “Coloured Constructions-Eric Moody ’80-84”, Air Gallery, London.
1985, “Marriage Between the Zones”, Set Designs for an opera based on the novel by Doris Lessing, Music Department, City University,London.
1986, “Reconstituted City”, Woodlands Gallery, London.
1988, “Reconstituted City 2”,Art Space Gallery,London.
1990, “Imperial Housing Stock”, Royal Institute of British Architects,London.
1995, “Reconstituted in the City”,77,Cornhill,London.
1997, “Circles of Influence”,Chelsea Arts Club,London.
2006, “Moody Art”, Smithfield Art Gallery, London.
2012, "Schism", Mandell's Gallery, Norwich

Selected Group Exhibitions.

1973, “Postal Art Exhibition”,Midland Group Gallery, Nottingham.
1973, “Praxis Works”,Institute of Contemporary Art,London.
1974, “Five Show”,Kettles Yard Gallery, University of Cambridge.
1976, “Between Sculpture and Painting,”Eastern Arts Touring Exhibition (Kettles Yard,Cambridge and Gordon Maynard Gallery,Welwyn Garden City).
1978, “Award Winners”,Gardner Art Centre,University of Sussex, Brighton.
1980, “11”,Camden Arts Centre,London.
1982, “Here and Now”, South East Arts Touring Exhibition (Towner Art Gallery, Eastbourne)
1982, “Coloured Constructions”, Ikon Gallery Touring Exhibition (Birmingham and South Hill Park Art Centre,Bracknell).
1982, “Whitechapel Open”, Whitechapel Gallery, London.
1983, “Whitechapel Open”,Chisenhale Studios,London.
1984, “Whitechapel Open,Spitalfield Church,London.
1985, “Tolly Cobbold/Eastern Arts 5th National Exhibition”,Fitzwilliam Museum,Cambridge and Royal Academy,London.
1985, “Coloured Constructions”,Curwen Gallery,London.
1985, “Constructed Images”,Crawford Arts Centre, University of St. Andrews.
1986, “Living Art”, Arts Council of Great Britain, Earls Court, London.
1986 to present , London Group Annual ( Royal College of Art, Barbican Art Centre, Deutsche Bank, Meniers Gallery etc.).
1988, “Aftermath” in “The World of Nature”, World Wildlife Fund, UK.
1992, “Shopping Sensations”, Cartwright Hall, Bradford.
1994-5, Fine Art Advisory Service, Corporate Presentations with installations in Canary Wharf and Broadgate, London.
1997, “Developing the City”, Royal Society of British Sculptures, Canary Wharf, London.
2001, “London Underground”,Sungkok Art Museum, Seoul, South Korea.
2002, “London Underground”, Taipei Fine Art Museum, Taiwan.

2006-9, Represented by in group shows presented by The Grapevine Gallery in Norwich and Downham Market and in London by Chris Westbrook Fine Art.
2009, “Drawing: Act and Artefact”, The Morley Gallery, London.
2010, Norfolk Contemporary Art, The Forum, Norwich.
2011, “Salthouse 11:Ad Limina”, Norfolk.

Selected Projects.

1969-72, The Schools Council, “Creative Use of Waste Material in Art Education.”
1972-76, RAT-ART Poster Project with DIY exhibitions packs for Libraries and Educational Resource Centres in UK and abroad.
!973-75, Co-director, “Real (Art) Retail”, Cambridge Market and Mail Order.
1978- 82, Visual Arts Programme Director, Centre for Arts Gallery,City University,London (programme of 40 x graduate-student run exhibitions with associated events) .
1992, Technical Advisor for costume construction on Ken Russell’s film “The History of Dr.Martineau”.

Selected Publications.

1994, “Developing the Visual Arts in Britain”,editor and contributor, “Curating the Visual Arts”,City University.
1995, “The Institutionalised Mythology of the Artworld” in “Fine Art Practice in Education” (Ed) Penny Precious,Watermans Publications,London.
1997, “The Re-education of Visual Arts Curators as Visual Arts Managers”,Position Paper for the International Symposium of Museology, “Towards the 21st Century”, Ministry of Culture/ICOM Hellenic Committee Aristotle University of Thessaloniki,Greece.
2001, “Marketing Museums of Contemporary Art”in “Il Museo relazionale: Riflessioni ed esperienze europee, (Ed) Simona Bodo,Edizioni Fondazione Giovanni Agnelli.
2005, “The Success and Failure of International Arts Management and the Profitable Evolution of a Hybrid Discipline” in “Understanding International Art Markets and Management” (Ed) Iain Robertson, Routledge.